
(pics via)
Amy Winehouse finally got a chance to thank "Ray-Ray." We finally got to find out what Daft Punk is doing up in their pyramid (they're playing Simon). Radiohead was finally mentioned exactly zero times. And everyone's favorite record of 2007, Herbie Hancock's Something Something Joni Mitchell Something Something finally took home the Golden Wax Cylinder for Best Album of the Year.
This edition of the Grammys chugged along acceptably for a while, serving up some interesting combos - Tina Turner & Beyoncé, Kanye West & Daft Punk, Carrie Underwood & Stomp, Crow T. Robot & the ghost of Frank Sinatra - then frantically pushing them off stage before any actual chemistry could take. Really awkward moments were kept to a minimum and were mostly predictable: Cirque du Soleil (to paraphrase Bloom County: Now, whenever I hear "A Day in the Life" I will think of half-naked, exploding clowns), anything involving a member of the Black Eyed Peas, the second annual attempt at making this into a reality show (A voter-chosen violinist won a non-featured seat in the My Precious Moments Orchestra which was conducted by John Paul Jones and accompanied the Foo Fighters. How many things can you find wrong in that picture?). A Time reunion existed only to bookend Rihanna. Feist, because she's Canadian, was forced to perform "1, 2, 3, 4" backed by brass. (Having followed a medley of gospel nominees, her usual pallid primary-colored choir probably wouldn't have cut it, either.) Little Richard and Jerry Lee Lewis were awkwardly staged back-to-back in the shadow of John Fogerty.
For a ceremony where almost 400 awards are given out, there were very few memorable moments involving winners. Winehouse's nod was nice because, with the performer live via satellite from London, she got to hug her mom in addition to thanking her. West talked down his exit cue: After rambling past his allotted time he finally got around to talking about his late mother. "It would be in good taste to stop the music then," he said. When they did, he looked up and said, "We run this." Vince Gill had the night's only funny line. After Ringo Starr presented him with the statuette for Best Country Album, he said, "I just got an award from a Beatle. Has that happened to you, Kanye?"
Most winners are announced before the telecast, but it's interesting to see who gets to say their thank-yous in prime time. Prince, for instance, won his Best Male R&B Performance offscreen, but he presented the Best Female R&B Performance category during the broadcast. Only three awards were given out during the show's opening hour, one of them for "Best Compilation Soundtrack Album." That one warranted attention either because (a) the winner was Sir George Martin and Beatlesblahblahblah or (b) unlike the average music listener, Hollywood pays for the music it uses.
Quickly:
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Eddie Murphy and Dick Cavett are (or at least, were) friends. I know, it's odd: Dick Cavett is not a towering, muscular transvestite. I've vividly remembered this from back when it originally aired on the NBC; now I can sleep safe knowing YouTube is remembering it for me.
I used to yelp, "Ooo! Dick Cavett!" whenever someone brushed against my ass.
This guy has bunches of comedian-oriented clips from the old show, lots of stuff that's just funnier after one in the morning. Emo Phillips! ("I used to pray every night for a new bicycle, then I realized the Lord doesn't work that way. So I just stole one and asked him to forgive me.") Brother Theodore! ("You make Bella Abzug look like an airline hostess!") Lotsa Rickles. Incidentally, I'll be late with that thing what I was supposed to have finished.
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A couple totally unrelated hardly imminent concert upcomings for calendar-marking purposes:
* Punch Brothers (myspace) - who used to be The Tension's Mountain Boys, who also doubled as The How to Grow a Band, who are the Chris Thile non-Nickel Creek project mentioned here previously - are finally set to release Thile's forty-minute prog-bluegrass suite on Nonesuch at the end of the month. They're on tour playing that, plus other stuff, probably; they'll be at the Allen Room at Lincoln Center on February 20th. Tickets are here, and are too expensive.
*Evangelista is Carla Bozulich, whose previous solo record was called Evangelista, who is late of Scarnella and The Geraldine Fibbers and Ethyl Meatplow. The first Evangelista album, Hello, Voyager, comes out March 11th on Constellation Records; like the last Bozulich solo album, Evangelista, it's hit or miss, but hits hard when it connects. It too ends with an extended, scorching sermon; great music to hate yourself by. Upcoming tour dates aren't on Bozulich's site or her myspace, but the band's myspace has a ToddP show at Death by Audio on 4/18 and a Cake Shop appearance on 4/19.
*Thank goodness for the Cake Shop gig, because April 18th belongs to Cloud Cult (myspace). Last time I saw them was last April, the first night of a two-night Mercury Lounge stand. I just love these guys, and though their 2007 record didn't work for me (a bit slight and self-helpy), that show was exactly what I needed. I'd just come from a Jandek performance that had lasted almost three hours; most acts shouldn't play for three hours, Jandek mostest of them all. After surviving dark twelve minute improvs around material like...
Starve my body
Starve my mind
(jam)
I walk around the grocery store
I walk around the book store
(jam)
All these boxes
All these pages
Are not for me
...hearing someone sing "Someone sing us a song that makes us feel like the dead are breathing birthday balloons and they blow and they blow" was like receiving a warm hempy hug. They sounded great, the violin is back in the mix, the paintings were lovely.
I had tix but missed the Minnesotans' last Bowery show, and the band has had to cancel a bunch of recent dates due to some sort of protracted illness. Good to see they'll be up and out again (though they're apparently short a drummer). A new record is due out on April 8th. Bowery tix are here, more dates (including SXSW) on their myspace. Attendance is mandatory.
*ALSO: I have reason to believe that, for some weird reason, Emmy the Great is going to be on this bill. Nothing on the Bowery Presents page or at Ticketmaster, though, and I wouldn't want to accidentally wind up seeing Duffy <shudder> for no good cause. Nehvermind.
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Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaargh.
march 17... annoying show day, as there are at least three i want to go to.
And unless the Rock Fairy grants me special powers that night I won't be
able to see them all.
Ignore the 3/17 thing. Bad info.
Re: Evangelista/Carla Bozulich, you clearly didn't give much of a listen to
either album, as you note that both end with "an extended, scorching
sermon." Actually, the last album opened with one and ended with a
beautiful whispered invocation of love. Anyway, CB is criminally
underrated. The Wire named the last album #4 for the year, and this one got
a great writeup as well, but she doesn't get as much press domestically. I
think the new album is actually stronger on a song-by-song basis. Finally,
gotta say that "great music to hate yourself by" is just plain lazy
reviewing. Loud noise + screaming does not = self-loathing. What CB is
singing about on the Hello, Voyager title track is, as she screams, "love."
i.e. if the world is truly fucked up, what do we have to lose? Let it all
hang out, warts and all. Very solid album, start to finish.